• Always have the DIT contact me before shooting, every job has it's own idiosyncrasies.
• Pro-Res 422 same size and frame rate that was shot.
• Pixel Aspect Square - Data Levels Auto
• 48 Khz 24 Bit Linear PCM Audio Track for all Sync Sound
• Transcoded Files must match back to original. Source file name must be embedded.
• If Transcoding with Resolve, please include copy of DRP File in case scenes or clips need to be re-output for scaling or grade adjustments. Please include all stills and LUTS.
• When sending drives please ensure that all sound files are present.
• All sync audio must be synced to dailies for all takes on all cameras that have corresponding audio files.
• Please include camera, sound and script notes.
• Please send all master files to me on a hard drive that will be vaulted with the job elements when the project is completed. Production should keep their own copy for safety.